Western Mysteries
The trans-Mississippi West seems a great stage for mysteries. The urban East has its turf, especially New York City (and Spenser’s Boston, I hasten to add), and the West Coast has its mean streets, especially in Los Angeles. Florida and New Orleans can make good claims. But the big West, where scale is almost unimaginable compared to the size of a bullet, is an interesting and evocative place for the unknown and the human agent to make it known.
If you wanted to track a lineage for Western Mysteries, you could go back to Robert Montgomery Bird’s Nick of the Woods (1837) or Mark Twain’s Puddn’head Wilson (1894) or others soon to follow by Zane Grey and the explosion of “westerns” in the early 20th Century. For this page, however, in its launch, we will stick the most popular writers for Whistlestop in this category. Check back for more thought and more additions.
Dance Hall of the Dead
Dance Hall of the Dead
Two Native-American boys have vanished into thin air, leaving a pool of blood behind them. Lieutenant Joe Leaphorn of the Navajo Tribal Police has no choice but to suspect the very worst, since the blood that stains the parched New Mexican ground once flowed through the veins of one of the missing, a young Zuñi. But his investigation into a terrible crime is being complicated by an important archaeological dig . . . and a steel hypodermic needle. And the unique laws and sacred religious rites of the Zuñi people are throwing impassable roadblocks in Leaphorn's already twisted path, enabling a craven murderer to elude justice or, worse still, to kill again.