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Marianne Moore
Marianne Moore (November 15, 1887 - February 6, 1972) was one of the leading US poets of the 20th Century. She was born in Kirkwood, Missouri, but from age 8 to 28 she lived in Carlisle, Pennsylvania. She grew up here, considered Carlisle and Cumberland Valley her home place, received her early education here, and was shaped in a permanent way by her friends and mentors here. She went to Bryn Mawr College because of the talented daughters of her pastor at Second Presbyterian Church, three of four of whom went to Bryn Mawr. (Your loss, Dickinson College.) After college she received a trade education here from Carlisle Commercial College, which enabled her to get her first job at the Indian Industrial School at Carlisle Barracks. She formed the vision of becoming a writer, a poet, here, and she published her first poems while in Carlisle. She nurtured lifelong friendships here. Indeed, her distinctive poetic style was influenced by the particular style of the sermons of her pastor at church, Rev. George Norcross. She is the only Carlislilian, other than Jim Thorpe (whom she taught), as far as I know, who has appeared on a postal stamp (1990 -- Thorpe appeared in 1984).
I include associated writers here, because Marianne was a skilled and generous networker from her youth. She had a gift for friendship, a diverse range within and beyond the literary world. She had passionate interests in many things, from baseball to art, from animals to music. All her interests, sooner or later, show up in her poetry, her essays, and her wonderful letters. She drew friends into her deep regard for the world, and many of her friends held a similar conversation with the world.
Marianne Moore Observations Poems
Marianne Moore Observations Poems
$16.00
Marianne Moore's Observations stands with T. S. Eliot's The Waste Land, Ezra Pound's early Cantos, and Wallace Stevens's Harmonium as a landmark of modern poetry. But to the chagrin of many admirers, Moore eliminated a third of its contents from her subsequent poetry collections while radically revising some of the poems she retained. This groundbreaking book has been unavailable to the general reader since its original publication in the 1920s.
Presented with a new introduction by Linda Leavell, the author of the award-winning biography Holding On Upside Down: The Life and Work of Marianne Moore, this reissue of Observations at last allows readers to experience the untamed force of Moore's most dazzling innovations. Her fellow modernists were thrilled by her originality, her "clear, flawless" language--to them she was "a rafter holding up . . . our uncompleted building." Equally forceful for subsequent generations, Observations was an "eye-opener" to the young Elizabeth Bishop, its poems "miracles of language and construction." John Ashbery has called "An Octopus" the finest poem of "our greatest modern poet." Moore's heroic open-mindedness and prescient views on multiculturalism, biodiversity, and individual liberty make her work uniquely suited to our times.
Impeccably precise yet playfully elusive, emotionally complex but stripped of all sentiment, the poems in Observations show us one of America's greatest poets at the height of her powers.
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