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Kurt Vonnegut
Kurt Vonnegut (1922-2007), whose critical and world-changing experience occured during World War II in the fire-bombing of Dresden, was a comprehensive chronicler of the United States of America from that famously (or notoriously) balanced midwestern perspective. Vonnegut was born and raised in Indianapolis, Indiana. He went to Cornell University for a time, became an editor on the Cornell Daily Sun, but left his formal education to join the Army during WWII. He was captured and made a prisoner of war during the Battle of the Bulge. He miraculously survived (he would have objected to the adverb) the bombing of Dresden, an event conveyed in his most famous novel, Slaughterhouse-Five, or the Children’s Crusade (1969).
He began writing with a purpose after the war, beginning in the poor-cousin field of science fiction, which had the freedom and critical distance that suited him, the marginalized outsider elevation to toss his satirical stones at the glass hothouse of postwar America. He won awards, he gained mainstream notice, but it took the Vietnam War and the embrace of a protest counterculture to make this outsider secure finanacially and artistically. He was a strong and unapologetic heart-of-the-country voice, a 20th Century Mark Twain without the fits of nostalgia. He thrived on irony and the acrid whiff of despair, but he was stubborn about the critical voice. He never gave up on it, no matter how clearly and devastingly he wrote that nothing was worth saving.
When he died in 2007, Lev Grossman in Time magazine summed up what was beginning to dawn upon us all:
“Vonnegut's sincerity, his willingness to scoff at received wisdom, is such that reading his work for the first time gives one the sense that everything else is rank hypocrisy. His opinion of human nature was low, and that low opinion applied to his heroes and his villains alike – he was endlessly disappointed in humanity and in himself, and he expressed that disappointment in a mixture of tar-black humor and deep despair. He could easily have become a crank, but he was too smart; he could have become a cynic, but there was something tender in his nature that he could never quite suppress; he could have become a bore, but even at his most despairing he had an endless willingness to entertain his readers: with drawings, jokes, sex, bizarre plot twists, science fiction, whatever it took.” (Time, April 12, 2007)
Slaughterhouse-Five
Slaughterhouse-Five
$26.00
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.”
An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.”
Fifty years after its initial publication at the height of the Vietnam War, Vonnegut's portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.