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HUNTER S. THOMPSON & NEW JOURNALISM
Hunter Stockton Thompson (July 18, 1937 – February 20, 2005), Kentucky-born, Air Force veteran, dedicated to journalism early on, was a storyteller who incorporated anthropological approaches to his journalistic fieldwork. He perceived the truth that a story about others depended on the self at the desk writing the story. How much, how honestly, and how overtly that self is recognized in the story is critical, Thompson felt, and he wasn’t shy about saying so. He is the founder of New Journalism, what he called “gonzo journalism,” which is an ongoing experiment in narrative in which the writer is a central character and thereby a participant in what is related or described.
Thompson’s influence is staggering to this day. Not only the obvious comrades in the field — Jimmy Breslin, Truman Capote, Joan Didion, David Halberstam, Pete Hamill, Norman Mailer, Joe McGinniss, George Plimpton, Rex Reed, Mike Royko, Terry Southern, Gail Sheehy, Gay Talese, Dan Wakefield, and Tom Wolfe — but fiction writers, too, paid attention to the possibilites of what Thompson articulated.
Thompson is an essential American moral voice in its literature, a description that would probably make him laugh, but consider the evaluation an Air Force officer wrote in giving Thompson his honorable discharge: "In summary, this airman, although talented, will not be guided by policy. Sometimes his rebel and superior attitude seems to rub off on other airmen staff members.” Classic description of the role of the writer in American literature.
In developing this page, associated New Journalism writers will be added, both those contemporary to Thompson and those who operate in his legacy.
Hooking Up
Hooking Up
$19.00
In Hooking Up, Tom Wolfe ranges from coast to coast observing 'the lurid carnival actually taking place in the mightiest country on earth in the year 2000.' From teenage sexual manners and mores to fundamental changes in the way human beings now regard themselves thanks to the hot new fields of genetics and neuroscience; from his legendary profile of William Shawn, editor of The New Yorker (first published in 1965), to a remarkable portrait of Bob Noyce, the man who invented Silicon Valley, Tom Wolfe the master of reportage and satire returns in vintage form.
At heart he is and always will be a terrific reporter. Hooking Up provides a great introduction to Wolfe the nonfiction stylist: the peerless portraitist, the contrarian social critic and the literary bomb thrower. The book's title is a sexual metaphor, but in Wolfe's hands, it means making connections among the culture's disparate corners. And nobody hooks up better than he does.” —Malcolm Jones, Newsweek
“The rich retrospective of one of America's finest writers.” —Michael Pakenham, Baltimore Sun
“The publication of Hooking Up, Wolfe's first book of short pieces in 20 years, is reason enough for celebration . . . Delicious.” —Benjamin Svetkey, Entertainment Weekly
“Turn to the three essays grouped under the title "The Human Beast," and you will be in Wolfe heaven. The first of these--is an exuberant history of the birth of Silicon Valley...'Digibabble, Fairy Dust, and the Human Anthill' moves from the semiconductor industry to the Internet and then, by a kind of intuitive leap, to neuroscience and sociobiology. 'Sorry, but Your Soul Just Died' delves into brain imaging and the genetic determination of character. Jesuit priest Piere Teilhard de Chardin, closet Catholic Marshall McLuhan, and scientist Edmund O. Wilson are the pivotal figures of these two essays.” —Michael Upchurch, Seattle Times
“I love Tom Wolfe 'Whenever some big bizarro thing happens' I want the man in the white suit to do his usual exhausting reporting, turn the labels inside out and the hypocrites upside down . . .and tell me what's what in one of those jittering, dazzling riffs of his.” —Maureen Dowd, The New York Times
“His fans will find plenty of evidence that Wolfe remains willing to plunge into 'the raw, raucous, lust-soaked rout that throbs with amped-up octophonic typanum all around [him]' and that--especially in his nonfiction--he can still grab the brass ring.” —Publishers Weekly (starred)